Taylor’s formative years in Baltimore are central to his identity as an artist. He describes the city as a place that fosters resilience, where life’s challenges build a “hard shell” and a distinctive swagger. “One thing about being from Baltimore is that it’s such a tough city,” Taylor says. “Even the fakest person in Baltimore is realer than most people.” This authenticity permeates his work, which often grapples with themes of struggle and survival.
A pivotal moment in Taylor’s life came when he discovered Mathieu Kassovitz’s La Haine. The 1995 French arthouse film, with its raw portrayal of social unrest and urban life, inspired him to view movies as a form of artistic expression rather than mere entertainment. “That movie was just visual poetry,” he recalls. “It was the first movie that made me look at movies from an artistic perspective.” The film’s famous line, “It’s not how you fall that matters, it’s how you land,” resonates deeply with Taylor, who views his own journey through a similar lens of perseverance and impact.
At 22, Taylor moved to Paris, a decision inspired by his first visit to the city with his father. For a time, he and his friends simply existed there, absorbing the culture and exploring creative possibilities. This period broadened his horizons and deepened his understanding of the world’s vastness. “It showed me that the world is a big place and taught me that you can do whatever you put your mind to,” he reflects.